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TIME: Almanac 1995
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TIME Almanac 1995.iso
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0806471.000
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1995-02-26
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<text id=90TT2083>
<title>
Aug. 06, 1990: Brit Kitsch
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Aug. 06, 1990 Just Who Is David Souter?
</history>
<article>
<source>Time Magazine</source>
<hdr>
BOOKS, Page 74
Brit Kitsch
</hdr>
<body>
<qt>
<l>BLOOD, CLASS, AND NOSTALGIA</l>
<l>by Christopher Hitchens</l>
<l>Farrar, Straus & Giroux; 398 pages; $22.95</l>
</qt>
<qt>
<l>Take up the White Man's burden--</l>
<l>Send forth the best ye breed--</l>
<l>Go bind your sons to exile</l>
<l>To serve your captives' need.</l>
</qt>
<p> So begins one of Rudyard Kipling's most famous poems, which
reads as if it were written for the British raj. In fact, this
hortatory verse was addressed to Teddy Roosevelt with a clear
message: having won the Spanish-American War of 1898, the U.S.
should claim the Philippines as a colony. Thus Kipling, as
author Christopher Hitchens dryly observes, was "John the
Baptist to the age of American empire."
</p>
<p> The origin of Kipling's ode is only one of many quaint facts
in this rambling, opinionated history of the "special
relationship" between Britain and the U.S. An English
journalist of hip leftist views, Hitchens was inspired by the
question he asked himself one night outside a Los Angeles
hotel, where Prince Philip was to bestow the Winston Churchill
Award upon Ronald Reagan. Why is it, Hitchens wondered, that
Englishness looms so large in the American imagination,
particularly among the rich?
</p>
<p> His answer, basically, is that as Britain's power waned, its
ruling elite increasingly saw its country's link with the U.S.
as akin to that between ancient Greece and Rome. This
teacher-student thesis, with its implication that Washington
should take on London's global role, found attentive ears
within an Anglophiliac American establishment. Hitchens
contends that Britain guilefully dominated the relationship by
appealing to ties of blood, class, nostalgia and a common
tongue.
</p>
<p> Hitchens has a wonderful eye for zany manifestations of Brit
kitsch. In 1890, for example, some idealistic Shakespeareans
decided to release in New York City's Central Park every bird
mentioned by the bard--more than 50 species in all--that
was not already native to the region. Instead of filling the
city's air with the song of larks and nightingales, the
experiment introduced to America the common European starling,
a dirty, prolific pest that soon ousted New York's native
bluebirds from their nesting places. If there is a moral here,
Hitchens refrains from drawing it.
</p>
<p>By John Elson.
</p>
</body>
</article>
</text>